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Theater Review: “Out of Sterno” — Absurd to the Point of Distraction

July 4, 2015
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Out of Sterno punches the same punchline far too often.

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Classical Music Review: Green Mountain Project — Monteverdi at his most Audacious

January 8, 2013
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Green Mountain Project has done everything right, paying careful, historically informed attention to pitch, transposition, tempi, number of performers, and tuning.

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Book Review: “Through a Screen Darkly” — Psychological Strategies for Moving Beyond the Pandemic

January 17, 2022
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I found Through a Screen Darkly to be as enlightening as it is useful: we don’t just read about and invest our emotions in other lives; we learn what to do about our own.

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Fuse News: 2016 Elliot Norton Awards Announced

May 24, 2016
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Hearty congratulations to the 2016 Elliot Norton Award nominees and winners.

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Visual Arts Book Review: Critic Douglas Crimp — “Before Pictures”

October 18, 2016
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Critic Douglas Crimp’s autobiography provides an absorbing, microcosmic look into the early days of the 1970s New York art scene.

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Film Review: “The Northman” — You-Are-There with the Viking Beserkers, Nuttiness and Magic Galore

April 25, 2022
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The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.

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Visual Arts Review: The Design Language of Ettore Sottsass — at 100

August 5, 2017
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Ettore Sottsass saw design as more than just an aesthetic achievement: it ideally served up an indelible experience.

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The Arts on the Stamps of the World — March 8

March 8, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Concert Review: Boston Landmarks Orchestra Closes Its Season with Its First Ever Performance of Mahler’s First Symphony

September 1, 2025
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The Boston Landmarks Orchestra offered a rousing valediction for a summer season drawing to a close.

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Book Review: “A Grave Robbery” — Adventures of a Kick-Ass Victorian Feminist

March 9, 2024
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As in her previous thrillers, Donna Raybourn’s dry wit serves double duty: defining our erudite heroine and presenting her view of a world that does not know what to make of her.

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