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“As a white atheist male I am told it is none of my business to deal with what‘s going on in the so-called de-colonized societies enforcing their religious laws on their citizens.” — Joshua Sobol
Read MoreThere was new music, of which Nelsons’s an uncommonly gifted interpreter; old music that mostly sounded lively; and a big, loud, late-Romantic warhorse that let him and the BSO show off.
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One of Donizetti’s strongest and most original works, has finally been reconstructed and recorded by superb forces under the remarkable Mark Elder.
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Leigh Barrett’s staging reflects a clear-eyed understanding of the power of the material’s simplicity, which makes The Last Five Years an exceptional musical experience: thought-provoking as well as captivating.
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Strict Beauty: Sol LeWitt Prints is a compelling opportunity for immersion in an important aspect of the artist’s work
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Sir Simon Rattle’s latest traversal of Gustav Mahler’s Sixth Symphony is something special; Pianist Aurélien Pontier’s stylish disc is a celebration of the music of fin de siècle Vienna.
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We are subtly drawn into the world of director Robert Machoian’s characters and their emotional honesty.
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For many listeners, Zigsaw will serve as a welcome introduction, not only to a virtuoso jazz ensemble led by an innovative leader, but to the music of composer Steve Lampert.
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Purple is an ambitious, over-the-top endeavor, which feels completely appropriate, given the calamity at hand.
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Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
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