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The Ballad of Buster Scruggs demonstrates the Coens’ consummate skill for reinventing classic genre tropes, dovetailing deep affection with inspired re-interpretation.
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Composer/pianist Anthony Coleman’s meticulous crafting made every second worthwhile.
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Evangelion is my personal Rosetta Stone, allowing me to decipher everything from psychoanalytic theory and gender relations to my very own understanding of trauma and the world in which I inhabit.
Read MoreThe Hatred of Poetry claims to explore our culture’s rampant animosity toward the entire art form.
Read MoreRefreshingly, playwright Marianna Salzmann manages to be political without being didactic. Her characters live (rather than preach) through history, grappling with the transition from totalitarianism to democracy.
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The album may be loose and jagged, but there are no half-baked moments because Andrew Bird’s ear for rhythm, and his impressive improvisational skill, are too inventive to ever be dull.
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This is a disc that begs for a sequel (or a whole series).
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The precision and inventiveness of Angular Blues more than meets our high expectations for this terrific trio.
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Audiences will hear the new musical direction violinist Lindsey Stirling and her band have taken when they perform at Fenway’s MGM Music Hall.
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Book Commentary: Dreiser’s “The Titan” Turns 100 — America’s “Downton Abbey”
Theodore Dreiser’s The Titan is not the greatest novel about American business, but it is still among the best, an honorable runner-up that turned 100 this year.
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