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Brett Milano approaches his subject with encyclopedic knowledge, a fan’s fervor, and the seasoned music journalist’s skill.
Read MoreShakespeare’s “Coriolanus” deals with the difficultly of recognizing superiority at a time of radical social breakdown, specifically when it is democracy that is in extremis.
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The most accurate name for this summer’s Steve Miller/Marty Stuart tour would be “When Two Music Geeks Collide.”
Read MoreNot only is TAPFS considered the best Pink Floyd tribute band, but it is argued that they are the best cover band in the world.
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Two art exhibitions in New York should be seen multiple times. Each will deepen your appreciation of a great artist. Neither is mobbed with visitors. Each, in this wildly overpriced city, is absolutely free.
Read MoreThis is a thoroughly pedestrian production — wobbly, uninspired, and often downright tedious.
Read MoreBoston Conservatory’s New Music Festival is inspiring a series of commentaries from Fuse Jazz Critic Steve Elman. Here is his third installment, which focuses on Gunther Schuller, who has inspired at least four generations of artists and revitalized a venerable institution of higher musical learning.
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The script is symptomatic of the Trump era: a passionate rejection of the “politically correct” pushes warriors for “freedom,” as well as voices of radicalism, into morally despicable positions.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues