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Book Interview: Bill Nowlin on the Little Label That Could — Fifty Years at Rounder Records

May 17, 2021
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For local music enthusiasts of all stripes, the hometown label was a point of pride; for musicians and fans the world over, Rounder was the go-to source for music you couldn’t readily find elsewhere.

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Doc Talk: MAGA Mirrored in “Apocalypse in the Tropics”

July 11, 2025
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In her new documentary about the crises in Brazilian democracy, Petra Costa examines a factor involved in the election of Jair Bolsonaro that was largely overlooked in the first film — the toxic power of the evangelical movement.

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Theater Review: “The Triumph of Love” — A Gender Bender of a French Farce

March 31, 2025
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“The Triumph of Love” lacks the physical comedy and swift action that usually characterize a farce. Here the dialogue is the action. 

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Classical CD Reviews: Michael Gandolfi’s From the Institutes of Groove and Jacob Druckman’s Lamia (BMOP Sound)

September 25, 2013
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Gil Rose and the Boston Modern Orchestra Project (BMOP) have been on something of a recording tear of late.

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Theater Review: “Dead Man’s Diary” — Dare to Enter

May 17, 2017
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This production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.

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The Arts on the Stamps of the World — January 4

January 4, 2017
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The Arts Fuse begins a new regular feature: the arts on stamps of the world.

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Theater Review: “Cardboard Piano” — Pay Witness

April 2, 2019
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“ignorance about those who have disappeared/ undermines the reality of the world.” — Zbigniew Herbert

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Concert Review: Handel & Haydn Society Plays Purcell’s “The Fairy Queen”

April 9, 2018
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A thoroughly charismatic Fairy Queen from start to finish, well-prepared, fulgently delivered, and received by a packed house with well-earned warmth.

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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio

April 26, 2024
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Zev Feldman is becoming one of the great sleuth-producers of our time, and his name is becoming a marker of quality.

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Jazz Remembrance: You Don’t Know Jack—From Glasgow to New York

November 2, 2014
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“With Cream I and Ginger could play free jazz as a rhythm section, while Eric played the Ornette Coleman role. However, we didn’t tell Eric that!”

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