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By Adrienne LaFrance EVERLY, Mass.— Those with messy desks and piles of clutter take note; things aren’t out of place, they’ve simply found their natural congruency. At least, that’ s what artist Kiki Smith, 52, told a group of about 325 people on Wednesday, March 29 at Boston University’s second-annual Tim Hamill Visiting Artist Lecture,…
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Sitting in my bedroom, viewing a screener copy of “Dream Team”, my initial bewilderment eventually curdled into boredom.
Read MoreThe Huntington Theatre Company is giving Jeffrey Hatcher’s stage adaptation of the celebrated comic novel a congenial production.
Read MoreAt age 75, there are more miles behind David Crosby than ahead of him, but he is resolved to carry on with freak flag flying.
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Others may hear a painfully flawed Latin jazz album, but what I heard was a brilliant postmodern ironic jam session in the mode of Ornette Coleman. I’m probably wrong, but I don’t care, because this album is a blast.
Read MoreBoston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the first.
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The BBC Scottish Symphony Orchestra gives sold readings of two Michael Tippett symphonies.
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Our conversation touched—considerably, as it turned out—on the current political climate and the dispiriting response of the musical world to the rising tide of homegrown authoritarianism.
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Theater Commentary: Does Playwriting Have a Future?
To mark the dedication of the New College Theatre at Harvard on October 17, a panel of four playwrights gathered to address the question “Does Playwriting Have a Future?” To allay suspense, the answer is yes (whew, that’s a relief).
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