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A line-up of concerts, performances, and recordings that, as 2017 draws to its close, I can’t, for one reason or many, shake from my memory.
Read MoreWhat makes Childsplay unique and inspiring is its back story. Every one of the fiddles played on stage was made by Bob Childs, a Cambridge-based luthier who has been making exceptional instruments by hand for more than 30 years.
Read MoreColson Whitehead’s work is political in the sense that he has an incredibly keen eye for the insidious ways in which institutions and structures of power work.
Read MoreThis splendid book should be read by every child and adult who is convinced he doesn’t “fit in.”
Read MoreThis symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
Read More“Hanoi’s War” deserves far more attention than it has thus far received. It enriches our understanding of the War in Vietnam and by implication, subsequent American commitments, including the war in Afghanistan.
Read MoreTwo portraits of champions: a famous fighter for civil rights and a little girl who loves chess.
Read MoreIt may not be one of ambient music’s masterworks, but this 2007 album deserved far better treatment than utter neglect from Lou Reed fans.
Read MoreThe latest show from circus troupe The 7 Fingers is both intimate and gasp-inducing.
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Theater Commentary: Who’s Agitating for a “Green New Theatre”?
The arrival of Groundwater Arts suggests the birth of efforts to organize artists and others to press cultural organizations to take meaningful action on the climate crisis.
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