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Jazz Album Review: Hailey Brinnel’s “Beautiful Tomorrow” — Lots of Contagious Fun

June 6, 2023
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Fans of Postmodern Jukebox and the swing revival will enjoy this album, as will any jazz fan who appreciates taut small-group arrangements and terse, focused solos.

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Jazz Album Review: Anna Webber’s “Idiom” — Free Improvisation as Potpourri

May 20, 2021
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Descriptions of Anna Webber’s music might make it seem intimidating. It is not — her compositions are stirring, amusing, and delightful, particularly in the shell games they play with variety and coherence.

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Theater Review: “The Bridges of Madison County” — Waterlogged

May 9, 2017
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The talented SpeakEasy Stage ensemble offers enough harmonious pizazz to make up for the musical ‘s erotic fizzle.

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Rock Album Review: The War on Drugs — Sticking to the Straightforward

November 22, 2021
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The album is not so much a step forward as a distillation of what The War on Drugs has always done well.

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Film Review: 2019 Oscar-nominated Live Action Shorts — A Bunch of Downers

February 11, 2019
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Shame on you, Academy, for such feeble, uninspired, downer picks.

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Theater Review: “A Measure of Normalcy”—Mauled at the Mall

October 27, 2015
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A Measure of Normalcy pays more attention to its many themes than its characterizations..

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Jazz Remembrance: The Lasting, Complex Legacy of John Coltrane

September 23, 2020
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Of all the musicians who were harbingers of change, none has had the long-term influence on young musicians that John Coltrane has had.

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Film Review: The MFA’s Technicolor Film Festival Ends with Two Gene Kelly Classics

May 30, 2014
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The reason these films are in this series is because of their color, and they do not disappoint.

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Book Review: “Inheritance: The Evolutionary Origins of the Modern World” — Breezy and Bumptious

August 20, 2024
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Notwithstanding the book’s research foundation, albeit colorfully amplified with personal and historical anecdotes, as a civilizational story Inheritance is a lightweight effort.

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Classical CD Reviews: A Banquet of Beethoven from Daniel Lozakovich, Midori, and Gidon Kremer & Friends

November 27, 2020
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Nothing to recommend in Daniel Lozakovich’s take on the Beethoven Violin Concerto, but Midori’s performance of the piece is completely unpretentious, natural, and exciting. Gidon Kremer & friends serve up a terrifically flexible version of Carl Reinecke’s adaptation of Beethoven’s Triple Concerto.

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