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Visual Arts Review: Francis Picabia — A Chameleonic Modernist

December 26, 2016
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Francis Picabia may be the finest modernist you’ve never heard of.

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Poetry Review: “The Thin Wall” — Haphazard Resonance

June 17, 2017
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Unfortunately, poetry doesn’t sell and doesn’t get made into movies.

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Book Review: “In the Land of Men” — A Woman in the Boy’s Club of Glossy Magazines

February 12, 2020
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A victim Adrienne Miller is most certainly not: the self-portrait that emerges in her pages is of an accomplished, wise, wittily self-deprecating author of her own destiny.

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The Arts on the Stamps of the World — April 13

April 13, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Jazz CD Review: Cécile McLorin Salvant’s “The Window” — A Very Beautiful View

September 21, 2018
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The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.

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Rock Album Review: The Latin Dead’s “Eyes of the World” — Revolutionary Pop/Rock/Latin Fusion

May 28, 2023
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Until this album, I had no idea that the Grateful Dead and salsa could blend together with such force and fun.

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Pop Album Review: Beach House’s “Once Twice Melody” — Plenty of the Same Old Good Thing

March 28, 2022
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Once Twice Melody goes about refining rather than changing Beach House’s vision of dream pop.

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Fuse Commentary: What Does WGBH Do When It Cuts Back On The Arts? It Celebrates, Of Course.

July 2, 2012
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Jazz is dying on WGBH — long live the arts, and let us all eat cake financed by Citizens Bank at the upcoming Arts Weekend, created by WGBH and The Boston Globe

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Classical CD Reviews: the Nash Ensemble’s Bruch and Carlos Kalmar’s Haydn

April 12, 2017
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A welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.

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Our End-of-the-Year Appeal — Support Quality Arts Coverage

December 11, 2016
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I ask you to consider contributing to The Arts Fuse so that we can continue to be an indispensible part of the Boston arts landscape.

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