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The Arts Fuse begins a new regular feature: the arts on stamps of the world.
“I’d be happy to start making a new record tomorrow, but I don’t know if we’ve all decided what the next move is.”
A translator must meet a compelling need — to reinvent Franz Kafka’s voice in an English that resounds in the present moment.
Joachim Raff, widely hailed for his instrumental works, is finally being recognized as a significant opera composer as well.
Annapurna Sriram’s “Fucktoys” is poised for cult greatness among queer cinephiles, filthy femmes, and those of us who find today’s movie landscape frighteningly sex averse.
It’s always fun to hear this mischievous instrumentalist in action.
With the release of “Wild God,” his stirring 18th studio album, it seems as if the charismatic poète maudit has achieved, and more impressively maintained, his own version of peace.
This is a rich evening of theater because it takes up social and psychological problems that aren’t ordinarily addressed on our stages.
By Caldwell Titcomb Some of the dancing feet in a scene from the Boston Conservatory production of “42nd Street.” I don’t know about you, but I’ve always been a sucker for tapdancing – whether the unsurpassed solo hoofing of the late Gregory Hines (1946-2003) or an entire stage of unison clickety-clacking. Tapdancing was a stage…
Book Review: Colette’s “Chéri” and “The End of Chéri” — Tales of Love and Morality
A superb new translation in one volume of the two Chéri novellas, regarded as Colette’s masterwork.
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