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Lovers of American music, don’t miss Aspects of America: The Pulitzer Edition ; Lindberg’s recording of Leonard Bernstein’s first two symphonies lacks a compelling command of the musician’s singular voice; the ORF Vienna Radio Symphony Orchestra tackles four pieces by Morton Gould.
I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
Boston’s Fred Taylor was by turns (and often simultaneously) a recording engineer, promo man, artist manager, talent scout, press agent, newspaper columnist, concert promoter, club manager, nightclub owner, restaurant, and movie house owner.
Rather than focusing on Mexicans in the United States, historian Carrie Gibson posits an expansive transnational history.
What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?
“The Endless Week” is a brave, uneven, at times brilliant swathe of prose. Experimental? For certain. Perhaps the only way to write an Internet novel is by looking from the inside out.
Literary history credits Rainer Maria Rilke with establishing European poetry’s seminal concern with the duality between inner and outer worlds. Could it be that Comtesse Anna de Noailles was his precursor in this regard? Translator Norman Shapiro and Black Widow Press should be thanked for bringing her back into the discussion.
Conductor Klaus Mäkelä may be young, but, on the merits of this set, he sure seems to be the real deal. Buckle up: this ought to be an exciting career.
John Patrick Shanley’s Outside Mullingar is a romantic comedy, so you can guess the dénouement, but all the fun is in getting there.
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