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The banjo’s African relative makes its American debut via a new Smithsonian Folkways album.
Ádám Fischer’s reading of Mahler’s Eighth Symphony is breathtakingly clean.
The Barrington Stage Company’s moving and fiercely energetic production brings West Side Story back to the stage with a bang.
What strikes this listener most is the writing’s disjointedly distinctive — sometimes unfathomable — sounds and textures, as well as the music’s unpredictable flow.
Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
Probably as it should be for a group called the Actors’ Shakespeare Project, the performances in Julius Caesar are the thing.
Trumbo is content to be a potted history lesson rather than a thought-provoking work of art.
Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
Theater Feature: An Interview with Benny Sato Ambush on Directing the Virtual Reading of Anthony Clarvoe’s “The Living”
“A play like The Living pricks the conscience of the country. It is the reason I wanted to produce and direct it.”
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