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Springtime hits are on doubt on their way, but let’s not forget about February.
Auber’s 1831 “Le Philtre” (“The Love Potion”) is an engaging romp that helped give birth to Donizetti’s “L’elisir d’amore.” Immensely popular in his own day, why isn’t it revived more often?
In choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
With 12 YEARS A SLAVE, Steve McQueen, the brilliant British director of HUNGER and SHAME, has probably created the first masterpiece of the new black cinema.
What’s clear is that something needs to give and, after nearly thirty-five years of labor-management harmony, it’s apparent that the Met’s problems start at the top.
What about today? Has Russia finally hit bottom and recovered? Is the political economy of vodka a thing of the past?
If you haven’t before had the keen pleasure of reading David Foster Wallace, THE PALE KING is a fine gateway drug. Its 550 pages are broken into 50 sections, each digestible on its own without reference to the larger work The Pale King by David Foster Wallace. Little, Brown, 560 pages, $29.99 By Michael de…
Rev William Barber II has effectively demonstrated again and again what he often calls “fusion politics” across lines of race, age, and religion.
Nothing, until the very end of the opera, is ever settled or, even, as it seems: this is psychological musical drama writ large and graphically.
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