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Never Have I Ever suffers from an identity crisis: the show doesn’t want to face that it is just another Netflix teen comedy, albeit with its share of engaging moments.
Robert Siegel has an undeniable talent for capturing the desperation and despair of his downtrodden character, but the director never tells us why he is plumbing the lower depths of America’s mania for sports. Big Fan, directed by Robert Siegel, showing at Kendall Square Cinema. Reviewed by Justin Marble Like Robert Siegel’s first script, “The…
Book Review: “Gilgamesh: The Life of a Poem” — A Dazzling Study of the Oldest Long Poem in the World
This is a wonderfully readable book, sure-footed in its scholarship but hip and occasionally hilarious in its tone.
Arnold Rosner’s writing in each act is strongly contrapuntal, metrically unpredictable, and idiomatically scored. The music is marked by constantly shifting colors, a strong sense of rhythm, and a healthy dose of lyricism.
An Arts Fuse regular feature: the arts on stamps of the world.
This three-disc set provides a fascinating look behind the curtain at one of the great bandleaders in jazz history putting together his groups, seeing what they can do from multiple angles, and building a new musical concept from scratch.
“The abuse in the church has very unique and cruel twists to it. And, as one of the oldest continuous patriarchal institutions in the world, looking at the church helps us to reflect upon how many established institutions, including families, help perpetuate and conceal violence throughout society.”
The Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.
BTC’s experiment, while not without its faults, proffers an admirable model of the sort of creative thinking that more companies should emulate when placing Shakespearean drama in a contemporary American context.
Theater Review: “Evening at the Talk House” — Amusing Ourselves to Dystopia
Evening at the Talk House is a savage indictment of our country’s acceptance of the immense, horrific violence necessary to maintain our consumer comforts.
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