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Time seemed to stand still, a reflection of Jeremy Denk and Stefan Jackiw’s astonishing polish — they understand the music of Charles Ives deeply.
Ultimately, this production of Lost Girls might have gone deeper if it had been slowed down a bit.
Ted Olson continues bringing important location recordings of early American music back to light.
The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.
The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
Our critics supply their TV favorites of 2023.
Arts Commentary: The Music Biz — When Difficult Becomes Dire
The advantage of localism enjoyed by a club down the block disappears in cyberspace.
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