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Susan Larson’s The Murder of Figaro is spiced with raunch, witticisms, and behind the scenes verisimilitude of rehearsal life.
The very people that George Will is trying to appeal to are evidently quite happy to be drunk on the power that their brutishness has created.
At times I leave off my avid samplings of one entrancement after another in a great museum. Instead, I make a pilgrimage dedicated to a single work, such as John Singer Sargent’s intoxicating woman in white in “Fumée d’Ambre Gris” at the Clark Art Institute in Williamstown, Massachusetts.
Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks
Jazz Albums Review: The ‘Season’ of Newvelle Muri — Adventurous, Sure-Footed, and Strikingly Lyrical
The sound on these discs couldn’t be more clear or precise; the music is low-key, thoughtful, and resolutely melodious.
Nothing that guitarist Pat Metheny had done previously hinted at this sprawling 1981 masterpiece.
This is a Strindbergian dance to the death between a powerful, accomplished woman and a husband tormented by his own sense of failure.
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
“You’re always gonna be yourself, your unique self, so it’s important to incorporate the things that you really love.”
Book Appreciation: Celebrating Kate Atkinson’s “Life After Life” –The Best Novel of the 21st Century
In “Life After Life,” novelist Kate Atkinson has shown how boundless the imagination can be.
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