Search Results: homes
One of the primary reasons I’m in London is to hear Martial Solal play in person. He’s had sporadic exposure in the US, always to acclaim. But the acclaim never lasts because he rarely performs on the opposite side of the Atlantic and his American commercial releases are infrequent. By Steve Elman Quick, can you…
Swiss composer Richard Flury’s engaging comic opera is a celebration of the life spirit, and a criticism of celibacy as a practice that cramps and distorts an individual’s basic humanity.
Two recent productions of Shakespeare, one a heralded London staging at the Donmar Warehous heading to New York in April, the other an Actors’ Shakespeare Project presentation in Davis Square, provide examples of the strengths and weaknesses of tackling the Bard without frills.
Two new films take a poetic and fantastical look at the artifice of sensual surfaces to imagine the horrific realities beneath.
“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
This gaunt historical narrative examines “love and faith and the fear of God” while also taking on issues of colonialism and masculinity. For the most part, the grand scheme is pulled off.
Employing every trick of digital capability to astound and amaze eventually becomes little more than hocus-pocus.
Here you have it: Werewolves are horny, vamps merely thirsty. This, to be sure, is material to work with, as novelist Glen Duncan does. But I can’t help thinking about great nineteenth-century novels of involuntary transformation.
Chase’s iconoclastic genre-crossing oratorio proceeds from dark to light, and wins its struggle for transcendence.
Recent Comments