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Inherent Vice is a giddy, trippy potpourri that tries to make a virtue of never quite settling on what kind of story it wants to tell.
Ace performances help make Night Side Songs a rich and moving experience, compounded by the fact that it is valuable to be in a room full of empathy and love in these trying times.
For performers and audience members alike the Shalin Liu setting is as much a part of the experience as the music. It has quickly transformed the intimate hall into a destination location for a growing number of admiring artists.
It is always heartening for an album to live up to its much-anticipated buildup. It is even more reassuring that, after nearly four decades, The Goo Goo Dolls are breaking new ground.
Marked by a blended mastery of multiple genres — from jazz and R&B to hip-hop — Dinner Party is a perfect album for a time of pandemic, police brutality, and an uncertain future.
Ornette Coleman turned to me and said, “You know, you can never really be out of tune. You are always in tune with something.”
City Hall is a quiet, unsentimental celebration of civility in its many forms.
What I do suspect though, and find evidence for in BLOODLUST is that Freud is immune to any final dispatch or disproof, and will likely, through one portal or another, go on reinserting himself into our culture.
I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
Robert Christgau, the author of 14,000 record reviews, makes the case for expansiveness as the best aesthetic.
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