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The cinematic shindig’s lineup features unconventional takes on familiar subjects.
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
Community is what I miss most of all the pandemic’s deprivations—doing stuff with others.
“There is a difference between blood and guts, as celebrated in the current vogue of horror-slasher flicks, and the capacity of the darkest of the Grimms’ tales to pierce the thin skin of civility and mainline the dark caverns of the collective unconscious.”
If you’re a Gil Evans devotee, or even a casual appreciator, have I got good news for you: Ryan Truesdell’s Centennial, more than 70 minutes of Evans that we never thought we’d hear, 10 tunes realized so beautifully and brilliantly that they should win a Grammy for Truesdell and a second, posthumous Grammy for Evans.
An Arts Fuse regular feature: the arts on stamps of the world.
If your tastes run to finely crafted songwriting, then the standout event between Christmas and New Year’s is when Melissa Ferrick and Marshall Crenshaw roll into Club Passim on separate nights.
“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
An Arts Fuse regular feature: the arts on stamps of the world.
Podcast Review: “The Joe Rogan Experience” — Taking Responsibility for Random Gab?
As amusing and informative as The Joe Rogan Experience can be, a few podcast interviews doth not an actual education make.
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