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Kazuo Ishiguro’s latest novel explores a future that’s already happened. “Never Let Me Go” by Kazuo Ishiguro. (Knopf) By Liza Weisstuch In the popular imagination, science fiction novels are supposed to be set in the future, anywhere from two years ahead to centuries. Often, these stories ruminate on how the latest technology changes humanity and…
As they often do in repertoire that doesn’t turn up too frequently, the orchestra responded to the music with heightened sensitivity and attention to detail.
Elizabeth Howard talks to Stephen Petronio, choreographer, dancer, and the artistic director of the Stephen Petronio Company, about what plans forward-thinking artists have for the future.
The overall prognosis for the Boston Symphony Orchestra is good. While there remains room for growth and improvement both artistically and financially, the Orchestra has the advantage of a solid musical reputation and a strong core of patrons who support its mission.
Demanding that people pay attention to quality is about as audacious a demand you can take in our giddy culture.
Jack Taylor has always been a version of the reluctant detective, but now he seems more impotent than ever — distracted, beat down, and very tired.
The Card Counter collapses under the weight of director Paul Schrader’s guilt complex.
Peter Keough has edited a useful, insightful, and delightful new collection of short essays that explore films that appeal to adults who seek childlike glee or awe at the movies.
What was the influence of Western modernist imperatives on an art-making culture far removed from Europe and the US?
Jazz Commentary: Charlie Parker — The Eternal Radical at 100
I’m still not sure I heard what’s revolutionary about Charlie Parker’s recordings — they’re very old news by now. But I warm to the expressions of unique genius, a beauty that in itself is radical.
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