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Arctic avoids existential symbolism for the sake of expressing authentic emotions, most of them thanks to Mads Mikkelsen’s performance, a quiet tour de force.
Brian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Interviews with a pillager – “Plunderer” examines Nazi art theft at DOC NYC; two other docs remember Artsakh, a country that is no more
An Arts Fuse regular feature: the arts on stamps of the world.
A captivating story, indeed. But is Vivian Maier, suddenly famous, and the subject of a new film, the John Maloof-directed Finding Vivian Maier, a worthy artist?
Artist Richard Thomas Scott is currently working on his new Kickstarter project, “30 Paintings in 30 Days.” Sponsors pitch him inspirations (“Challenge me to paint something I’ve never done before!”) and he interprets them on canvas..
“It seems now that quality spreads through reputation — the live show is where we really see bands pull away from the pack. It takes quality now to survive. Strong work.”
Dan Kennedy could have written a book that extols the “Huffington Post,” WGBH, or Patch as the future of serious community journalism. He doesn’t, which means that he is on the side of the angels rather than the corner-cutting devils.
Egon Wellesz’s Weimar era critique of the cruelty of nations that are victorious in war still rings hauntingly true.
To speak with Jörg Widmann is to encounter a mind furiously at work and aware of his craft as viewed through the lens of Western history.
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