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A single listen to The Salt Collective’s album disabused me of my initial skepticism. The recording is as enjoyable and interesting as one would hope for from an effort featuring this gang of eight.
Samantha Fish is coming to the Cabot Theater on June 16. Her latest disc, produced by Jon Spencer, currently sits atop “Billboard”’s Blues Albums chart.
Martin Puchner is stumped because what is called for is a genuinely radical rethink about what role literature and literary studies should play in avoiding the global meltdown to come.
There’s a powerful sense of place built into Last Night in Rozzie: the direction and acting evoke the feeling that inevitably comes when we return to our childhood neighborhood.
Those willing to accept that powerful political theater can be as much about depicting pain as providing hope will find much to admire in this visually striking, dramatically compelling piece.
These Stata-East recordings are the result of a special moment in the history of jazz, when some musicians brilliantly took charge of their own careers. Luckily for us, the music is still strikingly fresh and contemporary.
My second crop of Sundance screenings features three films that are all about women who, on some level, retreat from certain aspects of their lives: their pasts, their trauma, their public persona.
At a time when the nation is taking stock of the failures of our history of urban policing and looking for some new approaches, the lessons of Hold Your Fire are needed more urgently than ever.
Cultural Commentary: France Marks the 10th Anniversary of the Bataclan Attacks
The aftermath of a terrorist act becomes an opportunistic event for those selling us a certain bill of partisan geo-political goods… while simultaneously diminishing our latitude as citizens.
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