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An Arts Fuse regular feature: the arts on stamps of the world.
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A world-premiere recording of Kurt Weill’s “Prophets” — originally intended as the last act of “The Eternal Road” — with excellent singers, plus Thomas Hampson in Weill’s Walt Whitman Songs.
Read MorePlaywright Stephen Jeffreys, despite his gifts as a writer, seems unable to find the dramatic stakes in his play.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Lost amid a flood of new music in the early ’70s, the three lps under review here never received their due.
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As befits an official biography, Silver and Greenwald approach their subject with decorum and respect: they neither hide nor emphasize potentially controversial elements, carefully outlining the sources of money in Isabella’s family and the old Boston Brahmin fortune of her devoted husband.
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Programming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
Read MoreThe imperative to engage with landscape, and thus leave or at least minimize the self, has become of great importance to Peter Handke.
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Being part of the sprawling I Am the Moon endeavor has been deeply satisfying for this one-time solo traveler. “I’m proud of what we did,” Gabe Dixon said. “I put a lot of myself into this project.”
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Book Review: A Beautiful Brick in the Wall — Asian Americans and Whites in Pursuit of the American Dream in Suburban Schools
This is an indispensable study for anyone — including scholars, policy makers, and educators — who yearns to better understand how race and culture play out in a rarefied suburban milieu.
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