Search Results: homes
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreBoston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the second, which focuses on The Fringe and some of the qualities that make the trio special in the world of jazz.
Read MoreIn contrast to similar extermination-camp memoirs, But You Did Not Come Back focuses on the affliction of women.
Read More
In his writing, in his life, and in his fun, generous, and winsomely wise spirit, the late — but never late for a party — Tom Robbins chose to feel “ridiculously fine” and wanted us to feel the same way.
Read MorePaul West’s goal is to expand consciousness through the uninhibited play of the imagination, to revel in the glory of words, not to preach lessons in civic do-gooding. And that anarchistic intensity has gotten him into trouble with those who mistakenly believe that exploring the mind of evil indicates approval.
Read MoreThe ASP’s superb production of The Winter’s Tale provides a unusually deft fusion of tragedy and comedy.
Read MorePierre Reverdy’s poetry that is suspicious of the deceiving beauty of words, hence its pared-down, elemental, stylistic qualities.
Read MoreAlex Beam generates interest via his portrait of frenemies Edmund Wilson and Vladimir Nabokov as brainy but flawed human beings.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More
Film Commentary: You Know It When You See It — Desire and “Blue is the Warmest Color”
Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?
Read More