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Film Review: “The Craft: Legacy” — Girls Just Wanna Cast Spells

November 1, 2020
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At a time when witchcraft — not to mention women’s issues of power, autonomy, and identity — is such a prominent part of our cultural conversation, it’s disappointing that The Craft: Legacy doesn’t weave a more satisfying spell.

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The Arts on the Stamps of the World — February 10

February 10, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on Stamps of the World — August 26

August 26, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Book Review: An Evocative Biography of Zionist Agitator and Writer Vladmir Jabotinsky

July 27, 2014
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There’s room to wonder if Vladmir Jabotinsky would have accepted Menachem Begin, Ariel Sharon and Benjamin Netanyahu as his legitimate Zionist heirs.

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Theater Interview with David Sokol, Lyricist who made “Shylock Sing The Blues”

August 18, 2012
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“As an artist, you probably know when a project pulls at you, sometimes kicking and screaming. Shylock definitely has me by the back of the neck.”

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Theater Review: Three’s Isolation — “I Saw My Neighbor on the Train and I Didn’t Even Smile”

July 31, 2015
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The play’s made up of domestic confrontations in which dramatist Suzanne Heathcote at times moves past moments of high tension at high speed.

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Coming Attractions: March 19 through 28 — What Will Light Your Fire

March 13, 2017
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Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.

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Film Feature: Best Music Documentaries of 2022

December 31, 2022
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2022 in music documentaries: Ten worth streaming, plus a disappointment.

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Theater Review: “The Strawberry Girl” — Harvest of Horror

September 24, 2015
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Israeli Stage has opened its sixth season, which is dedicated exclusively to female playwrights, with a haunting work that examines the complicity of an ordinary German in the Holocaust.

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Theater Review: A “Big Fish” Out of Water at SpeakEasy Stage Company

March 22, 2015
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The problem is that John August’s book for the musical lacks most of what made his screenplay for the 2003 film so emotionally resonant for so many.

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