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What Makes the Monkey Dance is a comprehensive examination of the life and career of an extraordinary artist that is smart enough to stop short of hagiography.
Mikita Brottman gets raw, often very funny, and unexpected responses to the masterpieces she puts before her prisoners.
Marlowe’s skill in maintaining a high level of complexity put the history play on a sophisticated footing.
Today’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.
National Theatre director Bijan Sheibani chose artistry of movement, beautiful as it is, over the battering belittlement of really hard, unappreciated work, the facts of sweat and stupor.
Don’t Give Up the Ship is well worth the time of audience members seeking exciting, unconventional theater.
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
This film offers a much more nuanced and self-reflective conversation about authorship, authenticity, creative inspiration, and the role of film criticism than any of its detractors are willing to admit.
Even if this is a commercial confection, it’s worth taking seriously because it is very likely to be Tony Bennett’s final album.
Performing Arts Series: Stories of Surviving COVID-19 — Double Edge Theatre
“We believe the way to move through these times is 6 feet apart and ALL TOGETHER.”
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