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The volume’s spirited imagination is strong enough to compensate for flaws in its translation.
Those seeking whimsical and intimate theatrical entertainment should take in this imaginative production.
Alan Furst’s books are spy thrillers infused with a crisp, rather than a flowery, literary sensibility.
What fun to have meat carved off the revolving spit!
One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.
That Rubber fails to accomplish much of interest is really a shame. Call it a waste of potential: this film is, perhaps in spite of itself, sharply current—an ideal cinematic concept of the Internet age, self-consciousness gone a muck. Rubber. Directed by Quentin Dupieux. At Kendall Square Cinema. By Taylor Adams French director Quentin Dupieux’s…
Anne Washburn has a number of good ideas in this play, but the execution falls short.
Looking deeply into things and, by no means least of all, into other human beings implies meditating on brevity, on ephemerality—and this is what Tone Škrjanec does in this book.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
Fast Company may be light entertainment, but director M. Bevin O’Gara has assembled her own remarkable crew for this breezy caper comedy.
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