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This excellent film version of the play Fences meets (even exceeds) the considerable demands of August Wilson’s script.
Read MoreThese cinematic eyefuls will rouse you from the ennui you’re feeling these days, brought on by too many binge sessions watching Netflix.
Read MoreThough disguised in holiday trappings, 1947’s “The Bishop’s Wife” is about human frailty, thwarted ambition, and the humble rewards that accompany doing the right thing.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“Rapture, Blister, Burn” feels less like an exploration of feminism today than a clever sitcom pilot that won’t be able to sustain its jokes for an entire season.
Read MoreIn Bruce Norris’ Pulitzer prize-winning play “Clybourne Park,” resentment and racism chafe at the thin veneer of polite pleasantries.
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Tamas Dobozy is an anarchist in the best sense of the word: it’s not chaos he’s enamored of but a way of life untrammeled by political oppression, bureaucratic horrors, legal absurdities.
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This fantasy musical is unexpectedly moving, a driven and musically satisfying experience for serious Elton John fans.
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Director Agnieszka Holland deftly presents a vision of genocide that is hard-hitting but never manipulative: the horror pervades the monochrome beauty of snow, skeletal trees, and pale, sunken faces.
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This series presents a compelling perspective on the relativity of determining crime and punishment.
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