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In Bruce Norris’ Pulitzer prize-winning play “Clybourne Park,” resentment and racism chafe at the thin veneer of polite pleasantries.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Tamas Dobozy is an anarchist in the best sense of the word: it’s not chaos he’s enamored of but a way of life untrammeled by political oppression, bureaucratic horrors, legal absurdities.
The Legend of Zelda: Majora’s Mask is the video game version of Groundhog’s Day — you’re Bill Murray, and it’s brilliant.
“It might sound a little kooky comparing David Bowie to poet William Butler Yeats, but they had similar pitfalls as artists.”
In her fine book, Lisa Volpe examines mid-’50s picture-making expeditions taken across the U.S. by photographers Robert Frank and Todd Webb.
Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
Director Agnieszka Holland deftly presents a vision of genocide that is hard-hitting but never manipulative: the horror pervades the monochrome beauty of snow, skeletal trees, and pale, sunken faces.
This series presents a compelling perspective on the relativity of determining crime and punishment.
Jazz Remembrance: Tribute to Wayne Shorter
One of the true masters of jazz, Wayne Shorter, passed away during the early hours of March 2. Our writers quickly gathered to express their appreciations of Shorter’s innovations and his long life of constant creativity.
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