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Rock Review: Black Sabbath, Adieu

August 26, 2016
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Black Sabbath wasn’t reaching out to the rebels or the hippies; instead, the band catered to the outsiders and the misfits.

Theater Review: “Vanya and Sonia and Masha and Spike” — Middle-aged Angst and Broad Humor

January 10, 2015
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While worth a look for its inspired performances, this Huntington Theatre Company production does not give us Christopher Durang at his madcap best.

Film Reviews: More Movies to Watch While Sheltering in Place — Stir-Crazy 2

April 26, 2020
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Here are five more appealing feature films and their links, handpicked to get you pleasurably through the Covid-19 days. Two need to be rented, three are free.

Film Review: Freud Never Asked What Men Want, “The Climb” Tells Us

November 8, 2020
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The terrific The Climb looks at bro-bonding in a way you’ve never quite seen.

Music Review: Providence Art-Pop Trio Arc Iris stretches its wings in “iTMRW”

January 28, 2020
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So, after three original albums (plus a re-imagining of Joni Mitchell’s Blue) that fell short of wide acclaim, perhaps it was only a matter of time for them to think big.

Theater Review: ASP Conjures Up A Congenial “Tempest”

December 14, 2016
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All in all, Allyn Burrows has assembled a solidly entertaining production of a perennial Shakespearean favorite for the winter season.

Book Review: “Nicotine” — A Fresh Take on Addiction

February 27, 2017
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A beautiful, if somewhat meandering, series of vignettes on the writer’s lifelong relationship with cigarettes.

Visual Arts Review: Photographer Gordon Parks — Return to Fort Scott

April 25, 2015
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Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.

Film Review: “Her Smell” — Fiddling with Our Viscera

April 26, 2019
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Her Smell is funny-terrifying, alluring-repulsive, moving-disturbing, era-capturing and timeless.

Film Review: “It” – The Ordinary and Fantastic Eventually Meet

October 13, 2017
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It is most effective when it dwells on the sad influence of history, on personal tragedy, on the banality of evil and cruel indifference.

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