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The moral urgency and the humane distribution of Adelle Waldman’s authorial sympathy are evident everywhere in “The Love Affair of Nathaniel P.”
An Arts Fuse regular feature: the arts on stamps of the world.
The show would have been stronger if more context had been provided, both about women’s lives and the artistic traditions that inspired and influenced artists of the Renaissance.
Makine may be plagiarizing himself, which is a perfectly legitimate thing for a writer to do, but scenes of spring snow and railroad stations become clichés even in talented hands.
Matthew Woods and his actors do not draw on a faux-naturalist performance style, which is so (unfortunately) fashionable in mainstream theater.
One of drummer Ra-Kalam Bob Moses’s most resonant teachings was that it is better to find the infinite possibilities within a single idea than to keep changing ideas every ten seconds.
Scholastique Mukasonga’s autobiography, Cockroaches, examines the three decades leading up to the 1994 Genocide in Rwanda.
British dramatist Caryl Churchill proffers a valuable line of satiric attack on our delusions of doing good, so it is easy to forgive the dramatist her broad and scattershot comic approach.
The Bush Tetras — who’ve been on-off reunited since 1995, but haven’t hit Boston in nearly two decades — headline at the Sinclair this Saturday.
There are plenty of amusing moments when dramatist Charles Busch makes effective use of his gift for exaggerated wit and whimsy — no dramatist can drop the word ‘canasta’ with as much hilarious finesse.
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