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Filmmaker David Lowery plumbs the depths of this ancient tale, discovering the places where the human and the otherworldly intersect, where the earthbound meets the ethereal.
Making the viewer draw visual connections among Matisse’s pieces in the title painting is at the core of MoMA’s The Red Studio.
Worcester Chamber Music Society is a top-notch chamber ensemble based in central Massachusetts, a region not exactly overflowing with resident, headline-grabbing professional classical music groups.
The action, as it were, is mostly the exhaustively filmed grappling of two beautiful people in no-star motels.
The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.
Cyndi Freeman and Brad Lawrence are accomplishing their mission: to bring the lowbrow entertainment of yesterday to the highbrow viewers of today.
Claire’s Camera is enjoyable and charming, but it’s definitely minor Hong, made on a lark at Cannes.
This is yet another sentimental exercise in the mechanics of mother/daughter rapprochement
Joshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers
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