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George Orwell strikes me as a man who was easy to love because he had a tenderness in him that runs like a stream throughout these letters and makes you feel, as you read, how much you would have liked to know him.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreIn some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.
Read MorePianist, actor, director and consummate storyteller Hershey Felder returns to Boston in a one-man show entitled Abe Lincoln’s Piano.
Read MoreFor decades, Mr. Hamelin was known for his forbiddingly fabulous technique deployed to play and record vast swaths of immensely difficult and arcane repertoire that most pianists had rarely touched or even known of. Then, the past few years, he ventured into the standard repertoire with astonishing results.
Read More“Spirit of the Century” is a riveting celebration of the Blind Boys of Alabama’s glorious and often unpredictable musical journey.
Read MoreMs. Son’s performance of Debussy’s Preludes nos. 3 – 8, while mostly note-perfect, was marked by a tentativeness that kept any of them from really blossoming.
Read MoreThe group’s first record of new material in well over a decade, “Hackney Diamonds” isn’t quite a bad Rolling Stones record but it’s decidedly not a good one.
Read MoreIt’s heartening to see a major Catholic institution like Boston College get behind a documentary that, without mercy, attacks the Boston Diocese for its sinful coverup of priest abuse of children.
Read MoreAn unusual and powerful historical drama that looks at the troubled relationship between Jews and freed slaves at the end of The Civil War.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner