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“Spirit of the Century” is a riveting celebration of the Blind Boys of Alabama’s glorious and often unpredictable musical journey.
Ms. Son’s performance of Debussy’s Preludes nos. 3 – 8, while mostly note-perfect, was marked by a tentativeness that kept any of them from really blossoming.
We’ve heard all these gripes before, in life, in books, on TV, and in piles of movies. But Kathryn Hahn, is so enthralling and right that Rachel’s alienation, her poor little rich girl suffering, feel harsh and real.
The group’s first record of new material in well over a decade, “Hackney Diamonds” isn’t quite a bad Rolling Stones record but it’s decidedly not a good one.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
by Bill Marx Has anyone actually read the recent Boston Foundation Arts Report? A column in Boston.com suggests that the sputtering economy is essentially to blame for what The Boston Foundation sees as an increasingly tough time for nonprofit theaters. The solution for Boston’s theaters, suggests the starstruck observer, boils down to new and improved…
In some essential and large way, novelist Colm Tóibin gets Elizabeth Bishop right.
It’s heartening to see a major Catholic institution like Boston College get behind a documentary that, without mercy, attacks the Boston Diocese for its sinful coverup of priest abuse of children.
I’m not against the concept of a Whitman’s Sampler of C.K. Williams poems — but this problematic selection proves that it should not be a family affair.
Like the Dance Exchange’s staged and site-specific productions, Liz Lerman’s “Hiking the Horizontal” is pieced like a quilt. Like Liz, it’s a little rumpled and gives the reader a lot of permission to go her own way.
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