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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
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The Anomaly is an entertaining philosophical critique, suggesting that nothing is as it seems, knowledge is imperfect, and the human predicament will perhaps always be more inexplicable than we can admit to ourselves.
Read MoreSet in Boston’s rock scene during the ’80s, the mystery World Enough serves up plenty of compelling entertainment.
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The play’s swift running give-and-take is chillingly beguiling, its myriad allusions arousing your curiosity as you consider the characters’ positions and conclusions yourself.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAudiences for Liz Callaway can expect to hear faithful interpretations of these now familiar hit songs, but also expect the unexpected.
Read MoreIn red gloves and dark glasses, popping and locking, the Wondertwins are both imposing humans and robotic objects, organic and mechanical reproduction.
Read MoreWith a Stephen Sondheim show, it’s all in the casting, and Emmanuel Music’s casting was a mixed bag.
Read More“Becky’s New Car” turns out to be a ride worth taking, especially if we suspend our disbelief long enough to embrace the notion that malice is not necessarily aforethought even though our actions might be construed to suggest otherwise.
Read MoreChuck Prophet’s rollicking sound now is a lot more thoughtful than of yore — without losing any of its rollick.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner