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Of the major 20th-century writers in English, Patrick White stands with the best, partly because he refused to repeat himself, and partly because he refuses to tell you everything, so that when you read him there is a sense of discovery.
Read MoreThe questions at stake are good ones and not asked very often in contemporary plays: why do some win and others lose in America? And what are the responsibilities of the haves and the have-nots?
Read MoreThe Boston Artists Ensemble found the tenderness and understated grace of Robert Schumann’s Piano Trio No. 2.
Read MoreBy Debra Cash Blame Alicia Alonso for reinforcing her own senseless Cuban embargo. The famed (and literally blind) dramatic ballerina who is the fountainhead of Cuban ballet and an official Friend of Fidel seems to have felt that although she made her own performing career in the United States the Cuban “dance drain” of ballet…
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MorePitched in this era of hyper partisanship and sharp division, The Ground Between Us is notable because of the weight and balance it gives to the issues at stake.
Read MoreJacques Cousteau’s journey, from wannabe pilot to protector of the seas, is chronicled in a new documentary.
Read MoreAnd why [are] men bound beneath the heavens in a reptile form/ A worm of sixty winters creeping on the dusky ground? — Tiriel, William Blake Metropolis. Directed by Fritz Lang. Written by Lang and Thea Von Harbou. With Gustav Fröhlich, Brigitte Helm, Alfred Abel, Rudolf Klein-Rogge, Erwin Biswanger, Theodor Loos, Fritz Rasp, and Heinrich…
Read MoreCharm’d magic casements, opening on the Foam Of perilous seas, in faery lands forlorn. — To a Nightingale, John Keats, 1819 GRIMM: The Brothers’ Tales Remixed & Re-imagined . . . Written by Gregory Maguire, Kristen Greenidge, Melinda Lopez, Marcus Gardley, Lydia R. Diamond, John Kuntz, and John ADEkoje. Directed by Summer L. Williams and…
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner