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On her solo debut, the former Paramore lead singer undergoes a startling transformation.
Joshua Sobol isn’t interested in exploring dramatic possibilities but making sure his equation about the inevitable mechanics of violence works out.
After reading this scholarly and accessible biography, I am convinced that Storm Jameson’s life is a must for anyone fascinated by the history of women writers in the 20th century.
Arts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.
“The Slip” raises issues of race and entitlement, as well as the malleability of identity, all in one big, sloppy, and occasionally gorgeous package.
Pianist Stewart Goodyear livens up a tried-and-true program with works new and unfamiliar; the husband-and-wife team of Lukas Geniušas and Anna Geniushene survey piano music written on these shores, starting in 1932.
A trio of varied, high quality jazz releases: “Entre Amigos”, “Strange Times”, and “Three Visitors”.
Even 42 years ago, disillusionment was setting in among the workers at alt-weekly papers like The Real Paper and The Boston Phoenix.
Arts Commentary: The Show Won’t Go On. Now What?
Wall Street is getting a $1.5 trillion bailout (and counting). As usual, the arts, despite being a key economic engine, will not be so lucky.
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