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George Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
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Senorita 89 isn’t an easy watch because of its stinging depiction of misogyny, but it’s a powerful one.
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These essays aren’t overly scientific; instead, they remind us, with a gentle nudge, to take delight in nature, to pay attention to it, to be observant.
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A taboo interracial romance may not be groundbreaking material for fiction, but Robinson’s spare conflicts are only the means to generate intimations of the profound in the everyday.
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The moral of Jen Silverman’s yarn is straightforward enough: we are in a country where self-transformation has become an end in itself, re-invention a default response to omnipresent banality.
Read MoreSo much goes on over the course of Live From the Fox Oakland that the TTB upends the notion of a band “settling” into a sound.
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Just after Covid arrived in North America, journalist Helen Epstein was diagnosed with endometrial cancer — one of a predicted 66,570 new cases of cancer of the uterine body in the United States in 2021.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
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Piercing choreographs its weirdness early and often.
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Composer Anna Clyne’s new disc displays her maturity as a composer and brilliance as an orchestrator; pianist Simone Dinnerstein builds a number of bridges between Philip Glass and Franz Schubert; pianist Hélène Grimaud’s interesting program is marred by some uneven Mozart.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?