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Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
Read MoreArts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
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Peter Oundjian and the Royal Scottish National Orchestra deliver a great album, smartly programmed and played to the hilt. Leonard Bernstein’s live Mahler was often electrifying; this performance, even with some cracked notes and hairy transitions, certainly is.
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Kantika is Elizabeth Graver’s poignant homage to her grandmother, but it is also a testament to her talent as a storyteller, to make a narrative so believable and compelling and, indeed, sometimes funny, just as it is in life.
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I’d have to give the edge to Dave Liebman in terms of innovative creative reach. But Lakecia Benjamin more than holds her own in how she gives re-vitalizing attention to some very important musical roots.
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The opera repertory is so much richer than what gets staged nowadays; many of the most exciting recordings that came my way are of somewhat or entirely forgotten operas from past eras.
Read MoreThis new commercially distributed movie gives writer/director Harmony Korine an opportunity to create a vision of decadence that wallows with cartoon glee in a libidinous pop culture wonderland.
Read MoreFuse theater critics pick some of the outstanding productions of the year.
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This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?