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The poems in Winter Recipes from the Collective are about bearing with life in a barren place; they do the kind of singing Bertolt Brecht said was necessary when dealing with “the dark times.”
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“Maestro” is raw and unsparing but also full of understanding, grace, and honesty. This compelling drama brings to life the man and woman behind an extraordinary amount of musical activity, with many of their shortcomings and contradictions fully intact.
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No author has addressed the issue of sexual assault so much on her own terms, and in such a personal and powerful way.
Read More“The space between fantasy and reality is a very charged one. Fiction can explore that, which might be one reason why I’m so drawn to it as a form.”
Read MoreAudra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.
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This biography of Keith Haring is a compendium of vivid, first-person narratives that provide an engaging insider’s perspective on the artist’s life.
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Censor explores thought-provoking questions about the strange relationships between films, society, fantasy, and reality — and individual identity — in an increasingly mediated and violent world.
Read MoreReviews of eight stage productions in London, with two terrific shows noted: American dramatist Bruce Norris’s powerful study of racial relations, Clybourne Park, and Alan Ayckbourn’s 1980 farce Season’s Greetings. Another winner on the West End, the critically acclaimed War Horse, comes to New York next week. By Joann Green Breuer Penelope by Enda Walsh…
Read MoreAlive Inside, the winner for Best Documentary at the Festival, had the audience gasping and in tears.
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Holiday Commentary: Making Room for the Stranger