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Sigma Oasis is one of Phish’s better albums since the group reunited in 2009 after a five-year breakup.
Read MoreThis is a perfect guilty pleasure, an old fashioned B-movie without a franchise, explosions, overly recognizable actors, or exhausting mano a mano violence.
Read MoreHere’s a trio of organ trios from a new generation of players indebted, but not chained, to the classic jazz format and style that has been dominant since Jimmy Smith in the ’60s.
Read MoreAlthough “Growing Cities” plays a bit like a home movie, it at least scores points for enthusiasm.
Read MoreThis week’s poem: Jiwon Choi’s “Let Me Say I Am Fuchsia”
Read MoreThe fall is an excellent time to visit the Mount, the splendid home author Edith Wharton built for herself in the Berkshires. The leaves have already begun to turn.
Read MoreBy Bill Marx Novelist and critic Dubravka Ugresic On this week’s World Books podcast I talk to novelist and cultural critic Dubravka Ugresic about her latest volume of trenchant essays and commentaries, “Nobody’s Home” (Translated from the Croatian by Ellen Elias-Bursac). My conversation with Ugresic circles around her contention that, despite European enthusiasm for culture,…
Read MoreGrief and generational trauma have become the horror movie villains of our time, taking the spot once occupied by masked killers.
Read MoreA mismatched couple, trapped at home by government decree, try to maneuver and bicker their way through a COVID lockdown.
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Jazz Commentary: Three More Recent Composer-Driven Jazz Releases — Stretching the Boundaries of the “Conventional”
These projects are more conventionally jazzish in their sounds than the four in the companion post, but that does not make their ambitions less worthwhile or less adventurous.
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