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Nina Schuyler’s uneven novel raises some interesting questions in the course of the protagonist’s quest, and there are many fascinating details about Japan and Noh plays and the power of silence.
The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
The documentary is about “the power of the community and how rock and roll, and music in general, is worth fighting for: sometimes that means doing it yourself.”
Minor translation issues aside, The Columbia Anthology of Modern Chinese Drama‘s excellent selection, colloquial and stage-friendly translations, and illuminating introduction undoubtedly make the volume the authoritative choice in teaching and reading modern Chinese drama for the foreseeable future. The Columbia Anthology of Modern Chinese Drama. Edited and with an introduction by Xiaomei Chen. Columbia University…
“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
You may not know what you’re feeling or what to think about what you’ve seen afterward. This is a rare experience in cinema to be savored, or at the very least highly valued.
1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.
Despite the material’s limitations, the stellar SpeakEasy Stage cast and designers nail “Bloody Bloody Andrew Jackson”‘s irreverent, over-the-top vibe, serving up plenty of humor and high amplitude entertainment.
Jazz Commentary: Survival of a Scene in Boston
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
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