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As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Maybe the greatest value of Saviano’s narratives is that they rebuke the complicity of silence; they are acts of dissent that refuse to kowtow to the oppressive omertà.
Read MoreNina Schuyler’s uneven novel raises some interesting questions in the course of the protagonist’s quest, and there are many fascinating details about Japan and Noh plays and the power of silence.
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There are reassuring lyrics here that suggest that, no matter what terror comes along, our noble charge is to fight to the end, joyously.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
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The documentary is about “the power of the community and how rock and roll, and music in general, is worth fighting for: sometimes that means doing it yourself.”
Read MoreFrom The Deep suggests that Boston’s theater community would be better served if it put more of its resources into presenting the work of local literary talent.
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You may not know what you’re feeling or what to think about what you’ve seen afterward. This is a rare experience in cinema to be savored, or at the very least highly valued.
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Jazz Commentary: Survival of a Scene in Boston
Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
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