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Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
Musician Interview: Death From Above 1979 Celebrates the 20th Anniversary of its Classic Debut Album
This year marks “You’re A Woman, I’m A Machine”‘s 20th anniversary and, in homage, Death From Above 1979 has slowly but surely been releasing re-recorded tracks from the disc over the past few months.
Neither book is primarily directly about the war itself. Rather, in sometimes oblique ways, they show the price paid by Ukraine’s non-combatant civilians.
“The Bibi Files” is a documentary that should be seen before its revelations, caught on tape, are overtaken by a larger war; the Palestinian no-budget drama “To a Land Unknown” presents a credible picture of refugee life.
Boston Midsummer Opera may be performing in a new location, but all their virtues have arrived at Watertown intact.
This effective advocacy documentary charts the 21st-century decline of a great American institution (one established in the U.S. Constitution). It’s also a wake-up call alerting us that things didn’t have to happen this way.
The Barefoot Woman is lyrical but also informative and ethnographic, as much a memoir of a mother as it is of her way of life.
An Arts Fuse regular feature: the arts on stamps of the world.
This is a well-crafted story about the gulf between well-off Americans who can safely ignore power politics in their daily lives (and how many of us are doing just that!) and those at the edge of being oppressed or crushed by them.
You come away from this volume of short stories thinking that sure, Maggie Shipstead does write what she knows — it’s just that she may know everything.
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