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The playwright supplies a memorable encounter between young and old in the play’s final scene, but it is too late to compensate for the superficiality of the Pirandello-lite antics that have come before.
Two heartfelt documentaries about the Hamas attack and hostage-taking have premiered at this year’s Berlinale and have been received respectfully, even welcomed.
Abraham Karpinowitz offers a salutation of the heart to his beloved city of Vilna.
These essays and poems present incarcerated men and women as nothing more or less than our fellow humans.
“Playing with John Lennon was a big deal. He was very cool and very nice. Very much like the John Lennon that you imagine, you know.”
Molecular gastronomy, the application of scientific principles to the understanding of domestic and gastronomic food principles is shaking up the food world harder than Shake ‘n Bake.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Perhaps “Izipho Zam (My Gifts)” might have become as well known as Pharoah Sanders’s “Karma” — if Impulse! rather than the tiny cooperative label Strata-East had recorded it.
Does the distrust of (even a little) narrative ambiguity by North American dramaturgs and audiences mean that international plays must be made more ‘cinematic’ when they are produced here?
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