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I don’t share Rebecca Mead’s awe for “Middlemarch,” but I share her enthusiasm for stretching the envelope of memoir.
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Thirty years of Eric in the Evening, jazz in public spaces and libraries, jazz ensembles and their social networks, and getting the word out about jazz. (First of a three-part series for Jazz Week.)
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This album may be too mellow, too grim, too serious for the average listener but hear me: This is an amazing and important work of art, quite possibly the legendary songwriter’s own elegy.
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Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
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For once, shame worked. Museums that normally court the robber barons of our era capitulated and took the Sackler name-plates down.
Read MoreNic Pizzolatto’s scripts for “True Detective” have their moments but, self-consciously literary, they also are painfully overwritten.
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I fell for the Harry Dodge exhibition, but I confess to not entirely ‘getting the picture.’
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I wonder why this fine session was withheld for 49 years. It might be the bitter-sounding texts, or the very fact of vocals in a jazz session.
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A charming and deeply entertaining documentary about Marcella Hazan and her transformation into a world-famous cookbook author and influencer.
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When Charley Pride did display anger, it concerned how the country music establishment treated older artists.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler