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When Charley Pride did display anger, it concerned how the country music establishment treated older artists.
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For once, shame worked. Museums that normally court the robber barons of our era capitulated and took the Sackler name-plates down.
Read MoreNic Pizzolatto’s scripts for “True Detective” have their moments but, self-consciously literary, they also are painfully overwritten.
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It is invaluable for the world to have an in-depth account from someone who passed through the Xinjiang re-education system and was brave enough to tell the tale.
Read MoreThe big news was the well-deserved Grammy for best orchestral performance that the BSO and current music director Andris Nelsons won .
Read MoreSuccess assured? Critics and others discuss whether the MFA’s new wing, The Art of the Americas, lives up to the hype generated by the opening in the latest Judicial Review.
Read More“Ruby Sparks” is more than a sweetly moving love story with a happy ending; to their credit, the filmmakers add some disturbingly nightmarish edges to its “Pygmalion” meets “Frankenstein” plotline.
Read MoreUpdated. In or out of doors, from Inman Square to the coast of Maine, it’s a hot July in New England. Sounds of the season–or of any season–abound, including a 25th anniversary celebration for Natraj.
Read MoreFederico García Lorca’s Blood Wedding remains edgier than most American fare in this century.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues