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I don’t share Rebecca Mead’s awe for “Middlemarch,” but I share her enthusiasm for stretching the envelope of memoir.
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Brian Phillips uses the essay form to map the limits of America’s cultural-historical imagination, from our highest achievements to our kitschiest expressions of who we think we are, and who we think everyone else is.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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This album may be too mellow, too grim, too serious for the average listener but hear me: This is an amazing and important work of art, quite possibly the legendary songwriter’s own elegy.
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I fell for the Harry Dodge exhibition, but I confess to not entirely ‘getting the picture.’
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Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
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Thirty years of Eric in the Evening, jazz in public spaces and libraries, jazz ensembles and their social networks, and getting the word out about jazz. (First of a three-part series for Jazz Week.)
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I wonder why this fine session was withheld for 49 years. It might be the bitter-sounding texts, or the very fact of vocals in a jazz session.
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A charming and deeply entertaining documentary about Marcella Hazan and her transformation into a world-famous cookbook author and influencer.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues