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La Llorona’s deepest horrors flow from real history, from the atrocities inflicted by powerful men and the institutions established to ensure they get away with it.
Read MoreUPDATE: Either/Orchestra’s 25th anniversary concert comes to New York—an unforgettable confluence of talent revisiting more than two decades of memorable compositions and arrangements.
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Chopin masterpieces, Rossini duets, and songs, spirituals, and arias — all performed in ways that make the music dazzle.
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In The Flounder, John Fulton is clearly at the top of his game. His prose has that rare thing — a sense of intimacy.
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The series is wise to center its attention on Jeffrey Dahmer’s victims as often as possible. This is a heartbreaking saga of lives lost to a homicidal maniac.
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“We are in a time that challenges each of us running arts organizations to revisit and reaffirm our institution’s core existential purpose: why are we here? What do we do, and why does it matter?”
Read MoreWhy, when finally caught, didn’t mark Landis land in jail? Here’s the rub. He was a consummate liar and a big-time deceiver but he’s never committed a jailable crime.
Read MoreIn The Days Trilogy, Expanded Edition, H. L. Mencken comes off as a marvelously mellowed master, his trademark savagery smoothed over, its energy focused on generating a pungently picturesque vision of a vanished America.
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“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues