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In the process of exploring the ideas that shaped Lorraine Hansberry’s understanding of her art and the world, the volume confirms the writer’s relevance during these troubled but potentially transformative times.
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Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
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John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
Read MoreDe Hamel’s history is a detective story, a love story, and a revelation of the nourishment to be found in celebrated libraries and collections.
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“The Mother and the Whore” is a film about failure: its characters are pushed towards misery not only by their own flaws, but by the failure of the ‘60s to deliver a promised revolution.
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Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
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One of the few books that examine the largest mass killing of gays and lesbians in the United States until the 2016 massacre at Pulse.
Read MoreAuthor Vivian Gornick’s discontent is foundational, fertile, unquenchable, except by writing, and quite often funny.
Read MoreAt a mere 1 hour and 34 minutes, Chuck Workman’s documentary about Orson Welles is rushed and sometimes choppy, leaping through the filmmaker’s bountiful life.
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This book offers a deep dive — a very deep dive — into how contemporary tokens work, and the consequences of their use, both for the good and for the bad.
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Arts Feature: Best Movies (With Some Disappointments) of 2025