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Inspired by their leader, bassist Christian McBride, the musicians in this big band always sound like they are having the times of their lives.
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No one would classify the National as “arena rock,” but Matt Berninger and the group proved at Agganis that they’re quite capable of filling an arena and then putting on a show worthy of the space.
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The Who – arguably the third cog in British rock royalty behind the Beatles and the Rolling Stones – delivered more than a nostalgic run through the hits at Fenway Park on Friday.
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Rosa Parks: Pure Love is a serious, substantial, and long work, alternately harsh and calming, one that I am sure should be seen as well as heard.
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Boston Dance Theater’s four pieces seemed to counter female stereotypes but raised limited alternatives.
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There’s hardly a minute in this hour-long show that isn’t stirred by singing, clapping, stomping, and drumming.
Read MoreSilent Sky is a moving and thoughtful play; it is well worth the gaze of any serious theatergoer.
Read MoreThe BSO’s captivating performances of King Roger received unanimous rave reviews from the local press, to which I add mine.
Read MoreAn evening with Pilobolus is among the most viewer-friendly of dance experiences.
Read MoreDirector David Fincher does a good job at making our skin crawl while we chuckle at the audacity of the goings-ons in Gone Girl.
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