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This dispatch reviews three documentaries that are very different from each other, but are all fascinating and engaging. This was an excellent year for documentaries at Sundance. I will review several more before this year’s dispatches are complete.
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Madeleine George’s uneven 90-minte one-act comedy/drama borrows heavily on Greek mythology to zip up the misadventures of a cluster of suburban women in New Jersey,
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On this disc, trumpeter, singer, and composer Sarah Wilson serves up music that is warm, a little funny at times, and very well played in an unassuming manner.
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White Hot is a compelling watch, and not only for those who shopped at Abercrombie & Fitch.
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The album features seven tracks played by five different groups fronted or co-led by guitarist John McLaughlin.
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Flux Gourmet occasionally reminded me of the films of Peter Greenaway, who often juxtaposed the grotesque or disturbing with the beautiful and ethereal.
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Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.
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This terrific performance was the grand finale from a beloved dance festival doing its best under enormous pressure.
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Seth Rogen puts in double duty as an early 20th century Jewish immigrant and his modern great grandson in a comedy that starts off sweet but leaves a bitter aftertaste.
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Robert the Bruce is a chronicle of war that contains moments of bucolic beauty and poetry that will surely appeal to lovers of historical films.
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