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Book Review: Amina Cain’s “Indelicacy” — Brilliant, But Icy, Minimalism

February 10, 2020
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Amina Cain’s style is unusual, and it may tow readers so rapidly through this brief novel they won’t look back.

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Film Review: “Greta” — A Tedious, Ugly Stalker Film

March 3, 2019
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Greta is a slight, uninspired by-the-numbers genre film — we’ve seen this paranoia-inducing tale too often.

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Television Review: Art Lives on But Dealers Die in “Velvet Buzzsaw”

February 1, 2019
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Jake Gyllenhall and company will survive this broad satiric lark, as will the art world.

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Film Review: “The Love Witch” — Retro Horror in Delicious Color

November 22, 2016
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The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.

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Opera Preview: “The Picture of Dorian Gray” — The Opera

November 11, 2016
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“I have always been a fan of horror movies, and I’m sure that was part of the attraction to me.”

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Jazz CD Review: Pianist Ahmad Jamal — Still a Classic

July 13, 2017
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Pianist Ahmad Jamal rose to fame by doing something completely different.

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Latin Jazz Album Reviews: Sumptuously Satisfying Sounds from Roger Glenn and Mike Freeman

September 2, 2025
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Recommendations for albums from multi-instrumentalist Roger Glenn and vibraphonist Mike Freeman.

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Classical Album Reviews: Avalon String Quartet and Decoda

July 1, 2024
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The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.

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Concert Review: Phish’s Trey Anastasio — Playing the Role of Troubadour

March 12, 2025
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The sheepishly affable Trey Anastasio wisely focused on music, allowing him to play a broader representation of his repertoire across two hours and 25 minutes.

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Dance Reviews: Mood Swings — A Boston Weekend of Percussive Dance

February 10, 2025
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Whereas tap dancer Caleb Teicher is all idiosyncrasy, the Trinity Dancers wow by their perfect unison.

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