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In his short stories, Michael Glenn has a physician’s eye for detail and a psychologist’s insight into the way we think and what motivates us.
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Most in the Berklee audience seemed satisfied with the chance to be in South African pianist Abdullah Ibrahim’s presence, subdued perhaps, but still casting a magisterial aura.
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Four players bridged divergent worlds and styles from bluegrass and jazz to Indian and Western classical music while taking virtually no time to lock in together.
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The clarity and focus of Ron Carter’s bass is exemplary here, as is the balance with Richard Galliano’s accordion.
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The domestic demolition in Kate Snodgrass’s script is served au flambé.
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When I glorify or romanticize an artist like David Crosby it is because the performer has a gift for alchemizing songs into something huge, powerful, spiritual, and communal.
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These poems are of their own time and place — written in Haiti and France early in the twentieth century — yet they remain impressively fresh.
Read MoreIt was an absolute pleasure to finally hear the extraordinary clarinetist Anthony McGill in person, and clearly the audience felt the same, because there were several curtain calls and much cheering.
Read More“The Heat” plays with clichés from a long line of mismatched buddy cop comedies, and it’s as good as any in the genre’s pantheon.
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Culture Commentary: World War II Was a Race War, and It Isn’t Over
It isn’t exactly news that the genocide of Native Americans was a model for Hitler, but it hit with fresh force in The U.S. and the Holocaust.
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